Goethe
The works on
this page are related to Goethe. They were made as seperate works,
over the past few years. Apart from Goethes literature, I also find
his scientific approach worthwile. His method was phenomenology,
which means: being able to (psychologically and spiritually) read
phenomenons. Instead of machines, one uses the senses and the body
as an organ of perception

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tunnel
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homunculus
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dwaallichten
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hoogspanningsmast
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uit
de serie Urpflanze
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celprocessen
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Goethe was a
scientist who strived for objectivity - even when his objectivity
was more idealistic and warm, like that of Oliver Sacks. To Goethe,
the world of Idea was no abstraction. He saw nature as: the thoughts
of a or the Creator(s), most referred to as "God", in
a visible, tangible and living form. One of Goethes inventions was
'the primal plant' - a metaphysical reality: a process in time (metamorphosis)
on which al flora is based, in all its different species. The 'primal
plant' shows itself in a different way, in each species. According
to Goethe, primal animal and primal man were the same thing. Phenomenology,
Goethes method of investigation, means: to use your own senses -
using instruments only as extensions of the senses - and then to
get to the essence or idea of the phenomenon, by a combination of
thinking and perception. According to him, it's possible to develop
one's perception until one sees the spirit or idea of phenomena
in the phenomena itself. It is a more artistic way of doing research,
than the regular measuring-only. In this process one works, apart
from eventual equipment, on one's self as a perceptive unity of
spirit, soul and body. For text about perception,
click here.
In his Faust,
Goethe described the process of development of man who wants to
find the meaning of life by his own effort. Evil has an indispensible
role (played by Mefistofeles). I especially like part 2, where Faust
falls in love with Helena, and goes into the antique underworld
to find her. This is the world of living ideas: the forces of nature.
In my old work, biblical themes arose all by themselves. In my new
work, themes from Faust came up in the same way Dwaallichten
en Homunculus).
"Urpflanze"
was made with goethes concept of Primal Plant in mind - in the composition
there are areas of "root", "stem" and "flower".
I took a feeling or idea, and used this scheme of composition to
see how this feeling might look like. After that, I give it a name,
after am existing plant it makes me think of.
Cellular process is an imagination of another phenomenon I often
see in different situations - the impuls of doing (an idea) is of
a different nature, than the process of actually doing it.. "transmission
tower" was made after I heard a story about a spanish
village, lying under transmission towers, where a significantly
hightened number of children suffer from leukemia.
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